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Mount Fuji |
Waterlilies | A Note on Method |
Metaphor arises when fields collide.One point pings in several planes at once--A dust mite from one angle, from another, life.These paintings sit where the Buddhist pathCrosses the floating world, this beautiful illusion.Uki is floating, yo's the world, and this print, e,One of the first consumer graphics, paid forBy merchants rising, daimyo's switchingFrom castle to inn or factory, and rich peasants.Ukiyo-e!In Hokusai, Chinese mists blot outLandscapes so detailed and almost realThat tourists have looked for the spots he sat,Just to compare the picture to the present.Loyal and proud, he painted the national iconIn perspective borrowed from the Dutch. TradeOpened his eyes, and earned his rice. Popular,he fitted humans into a large, wet land--Dots in the distance, each distinct.Flat, but deep, his art quotesOther art, but looks convincingly strange,Like a photograph: then, as we examineA tower, or tree, we see the real dissolve.The print's an almost mechanical deviceSwitching us from one plane to another so fastWe become, stroboscopically, awareOf all and everything, vibrating,And we hear his voice, laughing like an angel,Waking us from the nightmare of nationality and tribe--Sheer soul sound, despite the Edo accent.-- Jonathan Price |
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