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On Art, Poetry, & Drama

The I Ching as a Visual Poem. Visible Language. Summer, 1980.

Stephen Shore, A Photographer’s America. Quest/77. June 1977. 40-45.

Signs. With Joel Katz. Visible Language. Summer 1977. 52-67.

Can Artists Cooperate? Harper’s Magazine. February 1975. 125.

Joseph Beuys: Parable of Dialogue. Art News. June 1974. 50-52.

Signs. Harper’s Magazine. July 1974. 8

Words. Harper’s Magazine. March 1974. 10.

Smoking Days. Harper’s Magazine. October 1973. 10.

Concrete Poetry. Harper’s Magazine. February, 1973. 8.

Country Pleasures. Harper’s Magazine. January, 1973. 102.

Milton: The Modern Phase. Review. Seventeenth Century News. Summer 1969. 27.

King John and Problematic Art. Shakespeare Quarterly Winter 1970. 25-28.

The New Yorker Theater. On Film July 1970. 8-9.

Measure of Measure. Shakespeare Quarterly. XX, 2 Spring 1969. 179-204.

Claes Oldenburg Happening. Yale Alumni Magazine December 1968. 26-31.

Joseph Heller’s We Bombed in New Haven. Works. I, 3. June 1968. 101-108.

Test Case. Transatlantic Review. Spring 1968. 90-94.

Charles Ives: The Rough Way Up the Mountain. Yale Alumni Magazine. April 1968. Reprinted in American Music Educators’ Journal,Fall 1968; Ives’ Symphonies, Columbia Records Album, 1968.

Lowell’s Prometheus Bound. Works, I 1 October 1967. 101-115.

Montherlant: Jansenist Libertine. Renascence. XIX, 4 Summer 1967. 208-216.

The Making of Lowell’s Prometheus Bound. Yale Alumni Magazine. June 1967. 30-37. Reprinted in Yale Theater Journal (now Theater Magazine). Spring 1968. 40-50, and Critics on Robert Lowell, University of Miami Press, 1972.

Aesthetics of Montherlant. Modern Drama. VIII, 3. December 1965. 324-331.

Montherlant and Shakespeare. Yale French Studies. 33, December 1964. 101-104.

Arthur Miller, After the Fall. Drama (London). N.S. 73. 1964. 39-45.


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